And as a mirror of existence, in a game of birth and annihilation, the poem touches the edge as possible to be, finally, silence. THE POEM as asceticism The poetic text can not be configured as perfection because, built on the incompleteness, denies himself. It aims to all but reaches only to communicate fragment of fragments, adhered to a formal scaffolding that limits and supports. And the search can be interpreted as a process of ascent required to reach a progressive stripping everything. Hence the necessary austerity that maturity expression requires the accurate assessment of the essential, the moderate balance of forms.
Because the poem explores from its precariousness, clears the elements that disturb the harmony, polishing the instrument for the conversion of the word. It draws on questions to say to himself, as a sharp voice that disclaims the world to consolidate. Also in the denial of the real structures confirms its asceticism: detached from here, in a gesture sensitive, darted to the mystery of the word. This dispossession formal and expressive supports all great poetry can be seen, perhaps, in this short text by Juan Gelman: Comment LIV (Homero Manzi) love carving / polishing / finishing touches and perfectly placed / your job does not end there / or leakage protections as milks of fire to hit your bitterness Naiden / your pain / children shelter from the walls of the night (2) THE WORD IN THE POEM The gender equity, by way of distortion mechanisms and approach, represent a paradox game symmetry and antithesis in the components of the sensible world, can communicate an alternative reality that is the symbol and synthesis of the evoked, like an inverted mirror facing the object to reconstruct.