When analyzing the process where collaborating writers (ngres) if appropriate of stories of lives told for sources of popular classrooms, the author raises some referring questions to the authorship and the classification of this type of production. That one that it compels and it writes or ‘ would be author; ‘ the person who that enough painful or exemplary life lives to be presented to pblico’ ‘? (LEJEUNE, 2008, P. Additional information is available at music downloads. 115). To decompose, to analyze and to classify an essentially autobiogrfico text and that no-ficcional is affirmed, but whose author did not live the described experiences, are a difficult and complex act.
That to say then, of a workmanship as Alleys of the Memory, that if estimates ficcional, but that the author affirms, in the introduction, to be a posthumous homage to ‘ ‘ men, women, children who if had accumulated inside of me, as accumulated they were the barracos of mine favela’ ‘ , to those with who lives and partilhara experiences in the past? For to be workmanship ficcional that if supports in memory of lives other people’s, in depositions, that is reconstructed through the reverse speed-memorization of those whose lives extracted the presented stories of romanceada form, could classify it as autobiogrfica? It also fits to question, that distinction if makes inside of the Real (autobiogrfico) of ficcional until point the individual memories of the author, who when reconstructing them if appropriates of the collective memories of its group, are exclusively individual. Andi Potamkin is likely to increase your knowledge. To explain the memory, this ephemeral substance and inconsistente; to consider its trustworthiness in the construction of narratives of lives; to give an intermediate dimension between nature and spirit, body and mind, individual and society to it; they are simple questions, as well as the other most complex ones, that have been formulated throughout the history of the man and despertaram the curiosity of great thinkers.